I was there, down front -- as the picture below (which I took) bears witness!
Final concert, Krakow. 2004. Photo (c) Ruth Ellen Gruber |
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Final concert, Krakow. 2004. Photo (c) Ruth Ellen Gruber |
While at the HBI, Ruth will be working on (Candle)sticks on Stone: Representing the Woman in Jewish Tombstone Art (begun in 2009 with an HBI research grant), which centers on a photographic documentation of the often elaborate tombstones of women in the historic Jewish cemeteries in Eastern Europe, mainly in and around the Bucovina region of northern Romania -- including the Jewish cemetery in Radauti, where some of her ancestors are buried. Focusing on the remarkably varied sculptural representation of candlesticks on these tombs, the project fuses visual documentation and photographic art with research, reportage, reflection and memoir. It encompasses issues of gender, identity and tradition and explores how tradition is (or is not) transmitted. The project is centered on a public web site and blog, but will also result in more traditionally published works.
The Candlesticks web site is http://candlesticksonstone.wordpress.com
From National Art Museum web site. |
Mark Epstein was a notable figure in the artistic life of Kyiv during the 1920’s. In 1928, having just finished the Kyiv Arts College , he immersed himself into the progressive arts movement of that time. He attended O. Exter’s art studio where his newest creative ideas were polished. Mark Epstein’s cubic-futurist works of the beginning of the 1920’s – Violoncellist, Family, Tailor, The Two, A Woman with a Yoke – have become part of the history of modern Ukrainian art.
Epstein was one of the founders of the artistic section of the Culture League – an association whose aim was the development of Jewish culture. Members of the section also included O.Tishler, El Lysytsky, J. Chaikov, S. Nikritin, and others. Marc Chagall, N. Altman, R. Falk, and D. Sterenberg also cooperated with the Culture League. In their effort to create new Jewish art, members of the Culture League synthesized images of traditional art with Ukrainian avant-garde ideas.
Epstein took an active part in this work. Unfortunately, only the graphic works of Epstein have been preserved from the 1920’s; representations of his sculptures have survived only as photos, while his paintings have been totally lost.
The work of the Culture League was terminated in the middle of the 1920’s. In 1932, Epstein had to move to Moscow . He took practically no part in exhibitions there, but worked a great deal. However his attempts to adjust his talent to the requirements of the times bore no evident fruit.
Lesko Jewish cemetery, 2006. Photo (c) Ruth Ellen Gruber |
Lesko synagogue, 2006. Photo (c) Ruth Ellen Gruber |
Entering the old Jewish quarter. Photo (c) Ruth Ellen Gruber |
In the ghetto (indistinguishable today from the rest of the old city), the synagogue and its underground maze with an oven for baking matzo (unleavened Passover bread), the remains of the mikvah ritual bath, a kosher butcher, and “cantina” for pressing and storing kosher wine preserve the Jewish past. A small museum is a new addition.
An elegant and curvaceous Italian beauty, the synagogue was built in 1598 and lovingly restored in the 1990s. Its rounded wooden lectern and carved pews have been meticulously reconstructed, along with the grey-and-white marble floor. Spidery chandeliers hang from the ceiling.
Miraculously, in the 1960s, when walls of the abandoned building collapsed into the ravine, the women’s gallery survived. Once again visitors can climb the stairs for the female eye view of the synagogue through the elaborately carved wooden screen.
One of only three Jews still living in Pitigliano, Elena Servi is the spirit behind what remains of Jewish life. The last matzo was baked in 1939, and the last Yom Kippur service was held 20 years later.